The Powerful "Why Not?"

I have a slight problem. Not quite an addiction, but quite possibly a compulsion. On Twitter or Facebook, or even in everyday life, if someone quotes a movie line, I feel the nearly irresistible urge to follow up with the next line. If Rob Hedrick, a friend who lived across the hall at Baker, posts "You will report to the stables tonight and every night at precisely 1900 hours" I feel obligated to follow up with "And without that pledge pin!" If Lacy Pitts tweets, "Was it over when the Germans bombed Pearl Harbor?" it is my obligation to reply, "Germans? Forget it. He's rolling." Oh, and, unfortunately, I have recited, word for word, "I, state your name..."

In short, I am "that guy".

However, not all is lost. Something good has come from this. To quote Bluto in response to the question "Pinto? Why Pinto?":

"Why Not?"

That short, explosive line has become somewhat of a battle cry.  It has allowed me to take some risks, and it has given me the freedom to step outside of the proverbial box. It has become a mindset, at times. 

I am blessed to work with some incredibly talented people. Steve Warner is a top-notch as they come on the football field, and I have had the good fortune of working with him for 12 years and counting. Several years ago, we had a tough football player that we needed to get on the field. He was not one of our top linebackers, and he was only about 160 pound soaked in the mud he carried with him from the field at Topeka Hayden. I remember commenting to Coach Warner and Kevin Ruda, our defensive line coach, that I wished we could put the kid, named Austin Ortiz, down on the defensive line, just because he was so tough. Their response? "Why not?" So, a 160 pound, tough, wiry kid lined up across from 260 offensive linemen, and he beat them. He recovered two fumbles against Hayden in our playoff victory on their field. He won all-league and all-state honors. Why? Why Not? The next year we decided to look for another player to fill that bill. Austin's brother, Levi Boman, a 2nd-team all-league free safety the year before, slid into a three-point stance. Why? Why not? First Team All-league and all-state honors. State semifinals. In the 2013 season? Scott Whitson, a 165 pound wrestler who had lined up at corner up to that point, wreaked havoc on offenses from the 2 tech position and helped raise a State Championship trophy. Why? Why not?

The talent pool of teachers I call colleagues is even deeper than just talented coaches. In the ELA hallway, I have an amazing mix of creative and passionate teammates from which to steal ideas on a daily basis. This afternoon, Greg Froese and I were discussing the "Gimme 5 Challenge" he was completing, which asked for two of his greatest accomplishments this year. He was including the Ideal Human Prototype lesson and our Sonnet Throwdown. I value the opportunity to collaborate with Greg on a daily basis. Greg makes me a better teacher, in part because he supports my "Why not?" addiction. A few months ago, Greg talked to me about this Ideal Human Prototype idea he was developing, and I loved it. I told him I was game to use it in my senior English class too. Why not? I came down a few days later with an idea that had come to me in the truck that morning and asked Greg what he thought about applying the IHP idea to Sweet 16 March Madness bracket of literary figures. His response: "Why not?" So we did. The depth of the conversations and the passion of the arguments as Atticus and Batman, Katniss and Han Solo battled through the brackets was impressive and exhilarating. When I told my classes as they worked on team rotational sonnet writing that Mr. Froese's classes had challenged them to see which class was more talented (they actually hadn't, but my classes responded as I had hoped), and my students took up the challenge, Greg and I collectively asked "Why not?" Thus, the Sonnet Throwdown was born. At this moment, the final rankings are in a sealed envelope held by Price-Waterhouse, and the trophy will be awarded at the BHS Has Talent Show on April 20. Even the trophy was basically a response to "could you somehow create a trophy?" One "why not", some collaboration with the ag-mech teacher, some time on the plasma cutter, and application of the talent of Josh Potter later, our trophy was complete.

This afternoon, I was visiting with Janea Gray, our Media/Tech Specialist. She had come to my room this morning with some ideas for "Poem in Your Pocket Day" next week. We tossed out an idea of a Hit and Run Poetry Slam in the LMC on Thursday. My honors sophomores seemed interested. Mr. Knapp thought his juniors could jump in. So, when we weighed whether we should try to make the idea into reality, Janea and I came to one conclusion: why not? If it tanked, all we were out was a little time and the effort it would take me to move back a couch or two. I am excited to see how it goes. It should be a blast. Why wouldn't I be excited? 

Why not?

Why wouldn't I try something new?

Why wouldn't I try to go a full week without complaining?

Why wouldn't I take part in a new Twitterchat?

Why wouldn't I choose to be positive if I possibly can?

Why wouldn't I sign up for EdCamp?

Why wouldn't I try to be a better, happier, more effective teacher?

"Why not?" indeed.

"The whistle of a boat..."

Lost

BY CARL SANDBURG

Desolate and lone

All night long on the lake

Where fog trails and mist creeps,

The whistle of a boat

Calls and cries unendingly,

Like some lost child

In tears and trouble

Hunting the harbor's breast

And the harbor's eyes.

The poem above one of my favorite by Carl Sandburg. How this verse came to introduce this post might be somewhat rambling, but I am going to go with it This is how my mind works: I read an article shared by a colleague on Twitter about the importance of teaching emotion as part of literature study. More on that later. The post made me think of some "emotional moments" in my classes that were particularly meaningful, and sometime painful. The day a young lady burst into tears as we read The Road, a visceral reaction so honest and sincere that she could not control it. The days when leave the lights down for a few moments after the last scene and lines of "To This Day", partly to let the kids mentally swirl the experience before we come together as group, but partly to allow the kids, male and female, to wipe away tears and sniffles that invariably well up during the poem's presentation. It also reminded me of the day this year our son discussed the ending of Of Mice and Men, revealing to his Dad that he had "gotten choked, and kind of cried a little." So, I sat down to compose this post, and as I pondered a title, the line from the poem above, "Like some lost child/In tears and trouble..." came to mind. 

Short story long, the post on emotions in literature study has me thinking. At a recent conference, we discussed particular talking points regarding how Kansas education can move forward in ways that are best for our kids. It was a lively and thoughtful discussion. One point prompted the question "Why do we need to teach four years of English at the HS level?" Two talking points later, we dove into social and emotional growth of our students. I interjected that this is one answer to the previous question. One of the only places that we can address the emotional growth of our students in a variety of ways that are meaningful and safe for those kids is in the study of literature. When Piggy dies and it hurts one student so deeply that she has to leave the room, as happened in the classroom of the author of the above mentioned article, it is a teachable moment vital to that child and the other children in that room, possibly more vital than any other lesson. A student of mine reflected a couple of years ago that studying the spoken poem "To This Day" by Shane Koyczan was more powerful than all of the anti-bullying assemblies she had attended since entering grade school combined, and I realized that sometimes, literature and the conversations it raises are the only place a kid can safely face their demons, or perhaps even the demons of others.  You see, this young lady was not touched because she could relate to the boy in the poem who was bullied or the figurative circus freaks who played solitaire spin the bottle. She reflected that she was a bully, but had never considered, truly, what she was doing. She didn't shove kids into lockers or steal lunch money. She joked, she made fun, she laughed at the little things she saw about other people. It's what she did. For the first time, she could see the other side. In the dimmed room, as the lines of the poem tumbled to her ears, something made sense. 

Every time I read the lines that Sandburg penned decades ago, probably with no image of high school students anywhere in the misty fog of his poetic thoughts, I think of certain kids. So many of our kids send out that whistle that "calls and cries unendingly" as they navigate the fog and mist of their lives. Sometimes, it rolls on the heavy fog of the classroom in the form of nervous laughter or frustrated grumbling. Sometimes, the lonely whistle strings together in tunes that they scratch out on notebook pages or poetic blog posts, or lines of graphite or paint that fill sketchbooks or canvases. Sometimes it is the voice of the kid who lashes out from the back of the room, or the silence of the one who refuses to, seemingly more content to sit with hood up and eyes down than interact with anyone around him. The whistles blow in all pitches and tones, and, unfortunately, sometimes, we do not hear them, or, just as unfortunately, we hear them, but fail to recognize that they are not simply idle and meaningless humming but, instead, are calls for help by the lost and wandering, the pleas and cries of those seeking shelter and warm protect of some harbor, any harbor, as they float on, hoping against hope that they will not crash upon the rocks they know are out there waiting. 

So, we read and write and study and discuss. We do so because, as my students might say, it gives us the feels. And that is a good thing. To quote Three Days Grace "I would rather feel pain than nothing at all." And, if we can feel that pain within a safe harbor, where we can toss one another a towrope, where we can sew together some sort of life jacket to be donned later in life after they have left our harbor, then it will have been worthwhile.